the enlightenment Archives - The Freethinker https://freethinker.co.uk/tag/the-enlightenment/ The magazine of freethought, open enquiry and irreverence Fri, 26 Jul 2024 14:04:38 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://freethinker.co.uk/wp-content/uploads/2022/03/cropped-The_Freethinker_head-512x512-1-32x32.png the enlightenment Archives - The Freethinker https://freethinker.co.uk/tag/the-enlightenment/ 32 32 1515109 The Enlightenment paradox: review of ‘Dark Brilliance’ by Paul Strathern https://freethinker.co.uk/2024/07/the-enlightenment-paradox-review-of-dark-brilliance-by-paul-strathern/?utm_source=rss&utm_medium=rss&utm_campaign=the-enlightenment-paradox-review-of-dark-brilliance-by-paul-strathern https://freethinker.co.uk/2024/07/the-enlightenment-paradox-review-of-dark-brilliance-by-paul-strathern/#respond Tue, 30 Jul 2024 04:35:00 +0000 https://freethinker.co.uk/?p=13813 The seventeenth century did not get off to a great start in Europe. Religious conflict still simmered, and…

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The seventeenth century did not get off to a great start in Europe. Religious conflict still simmered, and in 1618, the continent became embroiled in the bloodiest and most destructive war it would suffer before the two World Wars. The Netherlands was fighting for its independence. In Britain, the dispute between King and Parliament led to wars costing hundreds of thousands of lives in the 1640s and 1650s. Scientific progress faced massive barriers. Galileo was condemned by the Roman Inquisition in 1633 for arguing that the Earth orbited the Sun and not the reverse, as Aristotle and generations of his followers had maintained. Across the continent, people remained poor, ignorant, oppressed, and victims of seemingly continuous violence.

Yet, by the end of the century, the religious wars were over, Europe had modern astronomy and physics, the Dutch had created the corporation and the stock exchange, England had established parliamentary government, and books calling for freedom of religion were openly being published and distributed. ‘In 1700 the mental outlook of educated men was completely modern; in 1600, except among a very few, it was largely medieval,’ wrote Bertrand Russell in his A History of Western Philosophy.

This shift in mindset, from the medieval to the modern, is the subject of Paul Strathern’s Dark Brilliance: The Age of Reason From Descartes to Peter the Great. Strathern covers the major figures and events of the era, painting a sweeping picture of the century and the monumental changes it brought to intellectual and cultural life in Europe. Dark Brilliance has remarkable breadth, touching on every field of knowledge from calculus to cooking. It includes the microscope and telescope, probability and statistics, gravity and motion, the Golden Age in the Netherlands and the Glorious Revolution in Britain. We meet—as we expect—figures such as Spinoza, Locke, Leibniz, and Newton. But Strathern pays far more attention to culture and the arts than most other writers on the Enlightenment. He also breaks down the contrast between reason and unreason running through the seventeenth century; this is the ‘Dark’ of the book’s title.

The Culture of Enlightenment

As he promises in the subtitle, Strathern begins Dark Brilliance with René Descartes, as he is developing his new philosophy in a bucolic winter scene in a Bavarian village. From Descartes, he makes an unexpected jump to the Italian painter Michelangelo Merisi da Caravaggio (1571-1610). Caravaggio would not normally feature in a book on the Age of Reason. He lived in Italy, which had been the unquestioned centre of Europe during the Renaissance but was falling into the shadows of the Netherlands and France in the seventeenth century. For all their wealth and splendour, Rome and Florence never became centres of the Enlightenment in the way that Paris, Amsterdam, Edinburgh, or London did. Not only that, Caravaggio died before the Age of Reason really began.

Still, Strathern argues that Caravaggio’s painting was a leap forward from the past, just like the works of the Enlightenment thinkers. His painting showed more depth, photorealism, and understanding of scientific topics such as anatomy and optics than the Italian Renaissance masters who preceded him. And they, in turn, painted far more lifelike scenes than medieval European artists. Like the Renaissance artists, Caravaggio drew on classical as well as Biblical inspiration, although he painted with more drama and energy. Strathern highlights, in particular, Caravaggio’s Judith Beheading Holofernes, where he painted a scene from the Bible, a conventional subject, but presented it in a way that was unconventionally violent, visceral, and shocking. Compare the painting with medieval European art, which was often without passion; even people suffering violent deaths can look only bored or vaguely annoyed.

Judith Beheading Holofernes

This focus on culture is an original approach, but one which makes sense. Culture reflects society, and we can see the ideas of the Enlightenment reflected in the art of the Baroque artists. But it has limitations, and centres of culture and art were not always centres of learning, science, philosophy, or law. There was no Florentine Newton or Milanese Spinoza.

The splendour of the court of Louis XIV made France the cultural centre of Europe—even today fields like cooking and fashion are speckled with French words and phrases—but the French Enlightenment only really took off after the Sun King’s death. Strathern could have perhaps explored this further.  

Reason and Unreason

The other theme of Dark Brilliance is, as the title itself illustrates, the paradoxes of the Enlightenment. To Strathern, the seventeenth century was the Age of Reason and Unreason. As he points out in the introduction, the achievements of the Enlightenment ‘took place against a background of extreme political turbulence and irrational behaviour on a continental scale,’ from frenzied persecutions of supposed witches to the horrors of the transatlantic slave trade.

The developers of the telescope and the microscope were achieving steadily higher levels of magnification and bringing more and more of the hidden universe into view even as Catholics and Protestants killed each other by the tens of thousands. In the first chapter of Dark Brilliance, René Descartes invents his new philosophy while in the winter quarters of the Bavarian army during the Thirty Years War. The metastatic growth of the slave trade provides another example of how the irrational and inhumane could easily grow alongside the ideals of the Enlightenment. ‘…[I]n the Age of Reason, it was slavery that produced the capital which led to the progress of western European civilization, laying the foundations upon which its empires were built,’ Strathern writes. ‘At the same time, it also prompted a few rare spirits such as Montaigne to recognize the contagious barbarity of all who took part in it—to say nothing of the absurdity of its claims regarding racial superiority’. Man’s expanding knowledge did not seem to lessen his brutality—at least not yet.

Why should we care about the Enlightenment? Because we live in a world shaped by it, and while we enjoy its benefits, we should also be aware of its lessons.

The greatest paradox of the Enlightenment was, arguably, the French Revolution itself, which led to mass killing, the establishment of a dictatorship, and a new ‘rational’ religion in the name of Enlightenment values and freeing the people of France from the oppression of monarchy, aristocratic privilege, and a corrupt and reactionary Church. As he finishes his account at the start of the eighteenth century, Strathern doesn’t cover the French Revolution, although the theme of paradox runs through the book.

Conclusions

Why should we care about the Enlightenment? Because we live in a world shaped by it, and while we enjoy its benefits, we should also be aware (and beware) of its lessons. At the start of Dark Brilliance, Strathern asks if human progress will end up destroying the civilisation it helped to create. We face a range of threats, including climate change, enabled by the scientific progress and material wealth which has made our lives so much better. At the end of the book, he has not yet answered his own question, although he concludes that ‘paradoxically, the answer would appear to be progress itself’. Admittedly, it’s hard to see what other conclusion anyone could reach. There are calls today from the far left and far right of the political spectrum to dismantle the modern economy and modern society and revert to some pre-modern ideal. But this ideal is, in all cases, as mythical as it is real.

Strathern chooses to tell his overall story as a collection of colourful little biographies. This is an accessible approach and makes the book engaging for a general audience. Anyone who reads Dark Brilliance will reach the end with a much better understanding of not just the Enlightenment but life in seventeenth-century Europe in general. As someone who has read and written much about the subject, Strathern’s account of the development of Baroque painting was still entirely new to me.

I was left feeling that some of the threads remained loose, particularly on the impact of the Enlightenment and the paradox of reason coexisting with unreason. But as a panorama of seventeenth-century Europe, Dark Brilliance is both an impressive and very readable book.

Related reading

The Enlightenment and the making of modernity, by Piers Benn

Do we need God to defend civilisation? by Adam Wakeling

What has Christianity to do with Western values? by Nick Cohen

How three media revolutions transformed the history of atheism, by Nathan Alexander

The need for a new Enlightenment, by Christopher Hitchens

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Image of the week: Francisco Goya’s ‘The Sleep of Reason Produces Monsters’ https://freethinker.co.uk/2024/05/image-of-the-week-francisco-goyas-the-sleep-of-reason-produces-monsters/?utm_source=rss&utm_medium=rss&utm_campaign=image-of-the-week-francisco-goyas-the-sleep-of-reason-produces-monsters https://freethinker.co.uk/2024/05/image-of-the-week-francisco-goyas-the-sleep-of-reason-produces-monsters/#respond Tue, 07 May 2024 11:09:30 +0000 https://freethinker.co.uk/?p=13507 Francisco Goya’s c. 1799 etching is usually regarded as an expression of Enlightenment principles. The imagination, untempered by…

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The sleep of reason produces monsters: read more.

Francisco Goya’s c. 1799 etching is usually regarded as an expression of Enlightenment principles. The imagination, untempered by reason, runs amok, and produces monsters. Goya was a favourite artist of the late Christopher Hitchens, and this etching was reproduced in the hardback edition of his 2007 book god Is Not Great: How Religion Poisons Everything. Within the book itself, in a chapter focused on Eastern religions, Hitchens writes:

El sueño de la razón produce monstruos. “The sleep of reason,” it has been well said, “brings forth monsters.” The immortal Francisco Goya gave us an etching with this title in his series Los Caprichos, where a man in defenseless slumber is hag-ridden by bats, owls, and other haunters of the darkness. But an extraordinary number of people appear to believe that the mind, and the reasoning faculty—the only thing that divides us from our animal relatives—is something to be distrusted and even, as far as possible, dulled. The search for nirvana, and the dissolution of the intellect, goes on. And whenever it is tried, it produces a Kool-Aid effect in the real world.’

Another chapter of god Is Not Great was recently reproduced in the Freethinker. You can read Hitchens’s call for a new Enlightenment here.

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The need for a new Enlightenment https://freethinker.co.uk/2024/04/the-need-for-a-new-enlightenment/?utm_source=rss&utm_medium=rss&utm_campaign=the-need-for-a-new-enlightenment https://freethinker.co.uk/2024/04/the-need-for-a-new-enlightenment/#respond Fri, 26 Apr 2024 07:09:00 +0000 https://freethinker.co.uk/?p=13298 Christopher Hitchens on the need for a new Enlightenment.

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Editorial introduction

Below is reproduced, with permission from the Estate of Christopher Hitchens (to whom I express my gratitude), the final chapter of Hitchens’s classic freethinking text god Is Not Great: How Religion Poisons Everything.*

Today, as much as when that book was published in 2007, there is a need for a new Enlightenment. Two of this chapter’s themes—the danger and instability of Iranian theocracy and the threat posed to free speech by Islamic fanatics—remain very obviously and very unfortunately relevant. But the real power of the below, I think, is to be found in these words: ‘[I]t is better and healthier for the mind to “choose” the path of skepticism and inquiry in any case, because only by continual exercise of these faculties can we hope to achieve anything.’ Yes, we remain stuck in prehistory, all right. But if anything can help us to transcend our primitivism, it is the work of Christopher Hitchens. And now from his company I shall delay you no longer.

~ Daniel James Sharp, Editor of the Freethinker


“The true value of a man is not determined by his possession, supposed or real, of Truth, but rather by his sincere exertion to get to the Truth. It is not possession of the Truth, but rather the pursuit of Truth by which he extends his powers and in which his ever-growing perfectibility is to be found. Possession makes one passive, indolent, and proud. If God were to hold all Truth concealed in his right hand, and in his left only the steady and diligent drive for Truth, albeit with the proviso that I would always and forever err in the process, and to offer me the choice, I would with all humility take the left hand.” – GOTTHOLD LESSING, ANTI-GOEZE (1778)

“The Messiah Is Not Coming—and He’s Not Even Going to Call!” – ISRAELI HIT TUNE IN 2001

The great Lessing put it very mildly in the course of his exchange of polemics with the fundamentalist preacher Goeze. And his becoming modesty made it seem as if he had, or could have, a choice in the matter. In point of fact, we do not have the option of “choosing” absolute truth, or faith. We only have the right to say, of those who do claim to know the truth of revelation, that they are deceiving themselves and attempting to deceive—or to intimidate—others. Of course, it is better and healthier for the mind to “choose” the path of skepticism and inquiry in any case, because only by continual exercise of these faculties can we hope to achieve anything. Whereas religions, wittily defined by Simon Blackburn in his study of Plato’s Republic, are merely “fossilized philosophies,” or philosophy with the questions left out. To “choose” dogma and faith over doubt and experiment is to throw out the ripening vintage and to reach greedily for the Kool-Aid.

Thomas Aquinas once wrote a document on the Trinity and, modestly regarding it as one of his more finely polished efforts, laid it on the altar at Notre Dame so that god himself could scrutinize the work and perhaps favor “the Angelic doctor” with an opinion. (Aquinas here committed the same mistake as those who made nuns in convents cover their baths with canvas during ablutions: it was felt that god’s gaze would be deflected from the undraped female forms by such a modest device, but forgotten that he could supposedly “see” anything, anywhere, at any time by virtue of his omniscience and omnipresence, and further forgotten that he could undoubtedly “see” through the walls and ceilings of the nunnery before being baffled by the canvas shield. One supposes that the nuns were actually being prevented from peering at their own bodies, or rather at one another’s.)

However that may be, Aquinas later found that god indeed had given his treatise a good review—he being the only author ever to have claimed this distinction—and was discovered by awed monks and novices to be blissfully levitating around the interior of the cathedral. Rest assured that we have eyewitnesses for this event.

On a certain day in the spring of 2006, President Ahmadinejad of Iran, accompanied by his cabinet, made a procession to the site of a well between the capital city of Tehran and the holy city of Qum. This is said to be the cistern where the Twelfth or “occulted” or “hidden” Imam took refuge in the year 873, at the age of five, never to be seen again until his long-awaited and beseeched reappearance will astonish and redeem the world. On arrival, Ahmadinejad took a scroll of paper and thrust it down the aperture, so as to update the occulted one on Iran’s progress in thermonuclear fission and the enrichment of uranium. One might have thought that the imam could keep abreast of these developments wherever he was, but it had in some way to be the well that acted as his dead-letter box. One might add that President Ahmadinejad had recently returned from the United Nations, where he had given a speech that was much covered on both radio and television as well as viewed by a large “live” audience. On his return to Iran, however, he told his supporters that he had been suffused with a clear green light—green being the preferred color of Islam—all throughout his remarks, and that the emanations of this divine light had kept everybody in the General Assembly quite silent and still. Private to him as this phenomenon was—it appears to have been felt by him alone—he took it as a further sign of the imminent return of the Twelfth Imam, not so say a further endorsement of his ambition to see the Islamic Republic of Iran, sunk as it was in beggary and repression and stagnation and corruption, as nonetheless a nuclear power. But like Aquinas, he did not trust the Twelfth or “hidden” Imam to be able to scan a document unless it was put, as it were, right in front of him.

Yet again it is demonstrated that monotheistic religion is a plagiarism of a plagiarism of a hearsay of a hearsay, of an illusion of an illusion, extending all the way back to a fabrication of a few nonevents.

Having often watched Shia ceremonies and processions, I was not surprised to learn that they are partly borrowed, in their form and liturgy, from Catholicism. Twelve imams, one of them now “in occultation” and awaiting reappearance or reawakening. A frenzied cult of martyrdom, especially over the agonizing death of Hussein, who was forsaken and betrayed on the arid and bitter plains of Karbala. Processions of flagellants and self-mortifiers, awash in grief and guilt at the way in which their sacrificed leader had been abandoned. The masochistic Shia holiday of Ashura bears the strongest resemblances to the sort of Semana Santa, or “Holy Week,” in which the cowls and crosses and hoods and torches are borne through the streets of Spain. Yet again it is demonstrated that monotheistic religion is a plagiarism of a plagiarism of a hearsay of a hearsay, of an illusion of an illusion, extending all the way back to a fabrication of a few nonevents.

Another way of putting this is to say that, as I write, a version of the Inquisition is about to lay hands on a nuclear weapon. Under the stultified rule of religion, the great and inventive and sophisticated civilization of Persia has been steadily losing its pulse. Its writers and artists and intellectuals are mainly in exile or stifled by censorship; its women are chattel and sexual prey; its young people are mostly half-educated and without employment. After a quarter century of theocracy, Iran still exports the very things it exported when the theocrats took over—pistachio nuts and rugs. Modernity and technology have passed it by, save for the one achievement of nuclearization.

This puts the confrontation between faith and civilization on a whole new footing. Until relatively recently, those who adopted the clerical path had to pay a heavy price for it. Their societies would decay, their economies would contract, their best minds would go to waste or take themselves elsewhere, and they would consistently be outdone by societies that had learned to tame and sequester the religious impulse. A country like Afghanistan would simply rot. Bad enough as this was, it became worse on September 11, 2001, when from Afghanistan the holy order was given to annex two famous achievements of modernism—the high-rise building and the jet aircraft—and use them for immolation and human sacrifice. The succeeding stage, very plainly announced in hysterical sermons, was to be the moment when apocalyptic nihilists coincided with Armageddon weaponry. Faith-based fanatics could not design anything as useful or beautiful as a skyscraper or a passenger aircraft. But, continuing their long history of plagiarism, they could borrow and steal these things and use them as a negation.

This book has been about the oldest argument in human history, but almost every week that I was engaged in writing it, I was forced to break off and take part in the argument as it was actually continuing. These arguments tended to take ugly forms: I was not so often leaving my desk to go and debate with some skillful old Jesuit at Georgetown, but rather hurrying out to show solidarity at the embassy of Denmark, a small democratic country in northern Europe whose other embassies were going up in smoke because of the appearance of a few caricatures in a newspaper in Copenhagen. This last confrontation was an especially depressing one. Islamic mobs were violating diplomatic immunity and issuing death threats against civilians, yet the response from His Holiness the Pope and the archbishop of Canterbury was to condemn—the cartoons! In my own profession, there was a rush to see who could capitulate the fastest, by reporting on the disputed images without actually showing them. And this at a time when the mass media has become almost exclusively picture-driven. Euphemistic noises were made about the need to show “respect,” but I know quite a number of the editors concerned and can say for a certainty that the chief motive for “restraint” was simple fear. In other words, a handful of religious bullies and bigmouths could, so to speak, outvote the tradition of free expression in its Western heartland. And in the year 2006, at that! To the ignoble motive of fear one must add the morally lazy practice of relativism: no group of nonreligious people threatening and practicing violence would have been granted such an easy victory, or had their excuses—not that they offered any of their own—made for them.

Then again, on another day, one might open the newspaper to read that the largest study of prayer ever undertaken had discovered yet again that there was no correlation of any kind between “intercessory” prayer and the recovery of patients. (Well, perhaps some correlation: patients who knew that prayers were being said for them had more post-operative complications than those who did not, though I would not argue that this proved anything.) Elsewhere, a group of dedicated and patient scientists had located, in a remote part of the Canadian Arctic, several skeletons of a large fish that, 375 million years ago, exhibited the precursor features of digits, proto-wrists, elbows, and shoulders. The Tiktaalik, named at the suggestion of the local Nunavut people, joins the Archaeopteryx, a transitional form between dinosaurs and birds, as one of the long-sought so-called missing links that are helping us to enlighten ourselves about our true nature. Meanwhile, the hoarse proponents of “intelligent design” would be laying siege to yet another school board, demanding that tripe be taught to children. In my mind, these contrasting events began to take on the characteristics of a race: a tiny step forward by scholarship and reason; a huge menacing lurch forward by the forces of barbarism—the people who know they are right and who wish to instate, as Robert Lowell once phrased it in another context, “a reign of piety and iron.”

Religion even boasts a special branch of itself, devoted to the study of the end. It calls itself “eschatology,” and broods incessantly on the passing away of all earthly things. This death cult refuses to abate, even though we have every reason to think that “earthly things” are all that we have, or are ever going to have. Yet in our hands and within our view is a whole universe of discovery and clarification, which is a pleasure to study in itself, gives the average person access to insights that not even Darwin or Einstein possessed, and offers the promise of near-miraculous advances in healing, in energy, and in peaceful exchange between different cultures. Yet millions of people in all societies still prefer the myths of the cave and the tribe and the blood sacrifice. The late Stephen Jay Gould generously wrote that science and religion belong to “non-overlapping magisteria.” They most certainly do not overlap, but this does not mean that they are not antagonistic.

Above all, we are in need of a renewed Enlightenment, which will base itself on the proposition that the proper study of mankind is man, and woman.

Religion has run out of justifications. Thanks to the telescope and the microscope, it no longer offers an explanation of anything important. Where once it used to be able, by its total command of a world-view, to prevent the emergence of rivals, it can now only impede and retard—or try to turn back—the measurable advances that we have made. Sometimes, true, it will artfully concede them. But this is to offer itself the choice between irrelevance and obstruction, impotence or outright reaction, and, given this choice, it is programmed to select the worse of the two. Meanwhile, confronted with undreamed-of vistas inside our own evolving cortex, in the farthest reaches of the known universe, and in the proteins and acids which constitute our nature, religion offers either annihilation in the name of god, or else the false promise that if we take a knife to our foreskins, or pray in the right direction, or ingest pieces of wafer, we shall be “saved.” It is as if someone, offered a delicious and fragrant out-of-season fruit, matured in a painstakingly and lovingly designed hothouse, should throw away the flesh and the pulp and gnaw moodily on the pit.

Above all, we are in need of a renewed Enlightenment, which will base itself on the proposition that the proper study of mankind is man, and woman. This Enlightenment will not need to depend, like its predecessors, on the heroic breakthroughs of a few gifted and exceptionally courageous people. It is within the compass of the average person. The study of literature and poetry, both for its own sake and for the eternal ethical questions with which it deals, can now easily depose the scrutiny of sacred texts that have been found to be corrupt and confected. The pursuit of unfettered scientific inquiry, and the availability of new findings to masses of people by easy electronic means, will revolutionize our concepts of research and development. Very importantly, the divorce between the sexual life and fear, and the sexual life and disease, and the sexual life and tyranny, can now at last be attempted, on the sole condition that we banish all religions from the discourse. And all this and more is, for the first time in our history, within the reach if not the grasp of everyone.

However, only the most naive utopian can believe that this new humane civilization will develop, like some dream of “progress,” in a straight line. We have first to transcend our prehistory, and escape the gnarled hands which reach out to drag us back to the catacombs and the reeking altars and the guilty pleasures of subjection and abjection. “Know yourself,” said the Greeks, gently suggesting the consolations of philosophy. To clear the mind for this project, it has become necessary to know the enemy, and to prepare to fight it.


*Note that, when you use this link to purchase the book, we earn from qualifying purchases as an Amazon Associate.


Further reading

Christopher Hitchens and the long afterlife of Thomas Paine, by Daniel James Sharp

Christopher Hitchens and the value of heterodoxy, by Matt Johnson

What has Christianity to do with Western values? by Nick Cohen

Against the ‘New Theism’, by Daniel James Sharp

Atheism, secularism, humanism, by Anthony Grayling

The ‘Women’s Revolution’: from two activists in Iran, by Rastine Mortad and Sadaf Sepiddasht

‘Words are the only victors’ – Salman Rushdie’s ‘Victory City’, reviewed, by Daniel James Sharp

The Satanic Verses; free speech in the Freethinker, by Emma Park

The Enlightenment and the making of modernity, by Piers Benn

Secularism and the struggle for free speech, by Stephen Evans

Do we need God to defend civilisation? by Adam Wakeling

The rhythm of Tom Paine’s bones, by Eoin Carter

Books From Bob’s Library #1: Introduction and Thomas Paine’s ‘The Age of Reason’, by Bob Forder

New Atheism, New Theism, and a defence of cultural Christianity, by Jack Stacey

‘An animal is a description of ancient worlds’: interview with Richard Dawkins, by Emma Park

‘We are at a threshold right now’: Lawrence Krauss on science, atheism, religion, and the crisis of ‘wokeism’ in science, interview by Daniel James Sharp

Consciousness, free will and meaning in a Darwinian universe: interview with Daniel C. Dennett, by Daniel James Sharp

‘Nature is super enough, thank you very much!’: interview with Frank Turner, by Daniel James Sharp

How three media revolutions transformed the history of atheism, by Nathan Alexander

Quebec’s French-style secularism: history and enduring value, by Mathew Giagnorio

How laïcité can save secularism, by Kunwar Khuldune Shahid

The case of Richard Dawkins: cultural affiliation with a religious community does not contradict atheism, by Kunwar Khuldune Shahid

Religion and the Arab-Israeli conflict, by Kunwar Khuldune Shahid

The need to rekindle irreverence for Islam in Muslim thought, by Kunwar Khuldune Shahid

Britain’s blasphemy heritage, by David Nash

Secularism is a feminist issue, by Megan Manson

The hijab is the wrong symbol to represent women, by Khadija Khan

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